현존재의 개념을 반영한 색채 표현 연구- 본인 작품을 중심으로

초록

This thesis is a study analyzing the color expression characteristics of my work based on ontology. Through this, the purpose is to study expression by connecting the perception of presence and color by approaching color from an ontological perspective, which is an invisible area. The research subjects were 40 works selected from each period. Through literature research, we took an in-depth look at the theory of Yu-Mu(有無), which is the principle of movement of the Tao(道), and looked into the interrelational properties of YU(有) and Mu(無). As for the characteristics of color expression divided by period, the scale of the image was examined using standard adjectives such as weight(重量) and UmYang(陰陽), and the range of color use was analyzed through KS standard hue and tone. The work consists of a projection of the inner being, a response to stimulation, and connected space and time. As the inner world expands from the inner world to the outer world, color expression also undergoes gradual changes. It has the characteristic of color expression moving from heavy colors to light colors and from Um to Yang, and from achromatic colors to low chroma to more highly saturated colors. You can see the changing scalability through the color scheme used. Color can be seen as an important formative element in the process of formalizing numerous thoughts about ontology. Through the analysis results of the work, the subject of my work based on ontology and the process of color change by period are summarized, It is to seek the extended direction of ontological colors.

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